Land art and site specific sculpture in the urban setting. Environmental
sculpture is an art form which uses the environment as its material. Concrete
art is, like any art form, human made and is therefore geometric in essence.
Public art is art which can be viewed and accessed by the public.
sculptures
1970−1975
perpendicular cylinders - Carrara
marble - 40x40x40cm - 1974
This sculpture visualizes the apparent supporting structure inside
its predecessor,
perpendicular cylinders II . Here I am showing this
sculpture as the first in the perpendicular cylinders series.
Actually I conceived this piece - two by two perpendicularly placed
cylinders - in a rather elemental approach, reducing and rationalizing
the form language as it evolves from complex to elementary. This is
contrary to the expected process of elaborating upon a basic form, making
it more complex. But how did it all start? As often happens within
my work: one sculpture leads to another. In this case I had made a linear
sculpture, which I named
monolinear II ; and I was thinking about what form would
result if the describing line of the lemniscate would be a tube which
I would further bend so that the enclosed space would become completely
enclosed, locked up as its nucleus; so I set out to make it and named
it
double torus ; but halfway carving the block of limestone, following
the projected views on the sides of the cube, I arrived at a geometric
shape somewhat resembling what I would call a twentieth century version
of a Doric capital. I stopped and saved it, naming it
perpendicular cylinders , went back to the stone yard, got me another block of limestone and restarted
the process. This time I finished what I had set out to do in the first
place. So the sculpture which I had set out to make actually came later.
Then I studied the unfinished sculpture which I had set aside and
had temporarily named
perpendicular cylinders ; next I decided to make a new sculpture
showing its hidden four cylinders, which should start the series as
perpendicular cylinders and changed the name of the saved version,
adding II to it. It also showed me yet another interpretation,
using its visible four half cylinders and leaving the middle section
out altogether. That would become
perpendicular cylinders III ; I kept the 40cm height and
quadrupled the surface area.
works © Lucien den Arend 2012 © 1998/2012 denarend.com
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